OLIVER STONE
By Jason O'Brien
jaobrien@charter.net









When they look at you, they see what they want to be. When they look at me, they see what they are.
NIXON (1995)

Starring Anthony Hopkins, Joan Allen, James Woods, Paul Sorvino, J.T. Walsh
Written by Stephen J. Rivele, Christopher Wilkinson, and Oliver Stone
Producers: Clayton Townsend, Oliver Stone, Andrew G. Vajna
Cinematography: Robert Richardson
Distributed by Hollywood Pictures
Nominated for four Academy Awards, including Best Actor-Anthony Hopkins and Best Supporting Actress-Joan Allen

Stone's political drama NIXON is the controversial epic story of our 37th President, Richard Nixon - his life, his presidency, and the scandal that brought him down. Stone actually takes a somewhat sympathetic view toward Nixon, trying desperately to show the motivations and the life experiences which shaped the man who eventually resigned from office because the Watergate scandal broke apart. Stone continues his brand of filmmaking, delivering a film of rare power and emotion.

Of course, people are coming out complaining that Stone has rewritten history - at the beginning of the film, Stone even states that the film is based on an incomplete historical record - in an annotated screenplay book released before the film came out, Stone documents all of the sources which back up almost everything presented in the film. The film as a motion picture is something of a unique emotional power - with this film, Stone almost completes a circle of different films he has made concerning the turbulent 60's and 70's, and the secret history of those times. In Nixon, we revisit old Stone territory, including Vietnam and the JFK assassination. Stone wisely decided to make a film about Nixon the man, showing his roots, the death of his two brothers, his rise to political power, his political losses, Nixon's achievements with China and the Soviet Union, and of course Watergate. Stone covers it all in a format which jumps back and forth through time to show us a composite of influences and life events which led to what happened in 1972 and the two years following. The thing that impressed me the most about this film, alongside Stone's superb direction and storytelling technique, is Anthony Hopkin's performance - it's one of such power that we soon ignore that Hopkins doesn't look or sound like Nixon, and delve deep into the man himself. The three hour plus running time allows us to look deep into that tortured soul of not only Nixon, but once again, the American government and the beast, that unknown uncontrollable part of America which secretly controlled what happened in the 60's and 70's. There are so many scenes which cement themselves in your mind - Nixon at the Lincoln Memorial talking to a group of Vietnam protestors about the war they oppose so much - it was so interesting to see political power right alongside the idealism of the youth of that time. The most stunning scenes come at the end of the film, when Nixon in the White House, decides to resign the Presidency. He first prays with Henry Kissinger in what is at first an awkward looking scene, but then Nixon crys out - Why do they hate me so much? He walks out of his office to see the portraits of other Presidents that had come before him - and that's ultimately the theme that haunted me the most after seeing the film. I really saw a Nixon who constantly compared himself to Kennedy and Lincoln, who were so loved, and he was a man so hated and detested most of his political life, making him such a tragic figure - it's an incredible portrait of a very complicated man.

A word about the missing footage from NIXON:
Stone has said that the original length for NIXON clocked in at four hours and 15 minutes - the segments are attached in wide screen format at the end of the videocassette movie, and edited in and discussed as a bonus feature in the new DVD release. For those who haven't seen it yet, the additional footage includes an extended sequence where Richard Nixon met with Richard Helms, director of the CIA. The scene is quite intriguing - however, there are two scenes which I can't understand why they were not put in in the original version of the film, not only because of their brilliance but because of what they contribute to the story. One involves a meeting between J. Edgar Hoover and Nixon in the Oval Office while Nixon prepares to go to his daughter's wedding. In the scene, we understand that it was Hoover's idea for Nixon to install the taping system in order for Nixon to protect himself for history. This explains a whole lot when some people might be wondering why Nixon did that whole thing in the first place, only to have it come back and haunt him, which he specifically asks Hoover in the scene - This is not going to come back and haunt me, is it? But the most brilliant scene to be cut was the last one shown in this director's cut video segment - a storming mad Nixon enters into a cabinet meeting and chews everyone out, explaining that no more leaks will take place. It does much to show the paranoia going on in the White House around this time, and shows Hopkins at his best as Nixon. Anybody screws with us, his head comes off - you got that?

My thought after seeing the additional 20 minutes of footage, as is so often the case when we see director's cut releases on video and laserdisc, is why the Hollywood system continues to stifle directors and insist that movies come in at a certain length. There are people out there who would sit through a four hour and 15 minute version of NIXON because they know what a good movie really is - unlike the other movie goers who think nothing of plunking down seven or eight dollars to see Jim Carrey make an idiot of himself on screen and don't see such a truly powerful and important film such as NIXON. I've heard that Stone will have more difficulty making politically themed films like NIXON from now on because of the poor box office returns, which is really very sad. NIXON was such an incredibly powerful, emotional tragedy, in the tradition of Shakespeare. And I also have to again trumpet Hopkins' performance as Nixon - after seeing it again on video, I am still astonished at that performance - I have never seen a better performance from an actor in recent years - just watch Hopkins toward the end of the film as he nears disaster - and prays to God wondering why they hate him so much. An incredibly portrayal, an incredible film.

LINKS:
Visual Remembrances From Nixon
Behind the Scenes Images from Nixon
Complete Detailed Film Data on Nixon at the Internet Movie Database
Roger Ebert's Review of Nixon
The Complete Screenplay for Nixon -- Retyped by Jared Clayton
Nixon Production Notes -- Submitted by Jared Clayton
Charlie Rose Interview with Oliver Stone -- MP3 Audio Format
Richard Nixon's Actual Farewell Speech (Audio Available)
The Richard Nixon Library and Birthplace
Washington Post's Reflections on Watergate
The Nixon Era Times

VIDEO:

Charlie Rose Interview with Oliver Stone about NIXON


This Page Last Updated:
11/24/2008

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